Tatiana Schlote-Bonne

What Feeds Below

A Most Anticipated Book of 2025: Brit + Co | Debutiful. "A novel of pure heart and mastery.” ―Morgan Talty, bestselling author of Night of the Living Rez and Fire Exit. "An inspired novel by an author whose voice absolutely sizzles on the page . . . A moving story of self-discovery that journeys through the crucibles of sickness, history, identity, family, and loss―all told by one of the most inventive, funny, brash narrators you’ll ever find.” ―Nathan Hill, New York Times bestselling author of Wellness and The NixA coming-of-middle-age novel about an Ahkwesáhsne man’s reluctant return home and what it takes to heal.. Abe Jacobs is Kanien’kehá:ka from Ahkwesáhsne―or, as white people say, a Mohawk Indian from the Saint Regis Tribe. At eighteen Abe left the reservation where he was raised and never looked back.. Now forty-three, Abe is suffering from a rare disease―one his doctors in Miami believe will kill him. Running from his diagnosis and a failing marriage, Abe returns to the Rez, where he’s convinced to undergo a healing at the hands of his Great Uncle Budge. But Budge―a wry recovered alcoholic prone to wearing punk t-shirts―isn’t all that convincing. And Abe's time off the Rez has made him a thorough skeptic.. To heal, Abe will undertake a revelatory journey, confronting the parts of himself he’s hidden ever since he left home and learning to cultivate hope, even at his darkest hour. . Delivered with crackling wit, Old School Indian is a striking exploration of the power and secrets of family, the capacity for healing and catharsis, and the ripple effects of history and culture.

Old School Indian: A Novel

One young woman’s relentless quest to become the first Cherokee astronaut will irrevocably alter the fates of the people she loves most in this tour de force of a debut about ambition, belonging, and family.My mother took my sister and me, and she drove through the night to a place she felt a claim to, a place on earth she thought we might be safe. I stopped asking questions. I picked little glass pieces from my sister’s hair. I watched the moon. Steph Harper is on the run. When she was six, her mother, Hannah, fled an abusive husband—with Steph and her younger sister, Kayla, in tow—to Cherokee Nation, where she hoped they might finally belong. In response, Steph sets her sights as far away from Oklahoma as she can get, vowing that she will let nothing get in the way of pursuing the rigorous physical and academic training she knows she will need to be accepted by NASA, and ultimately, to go to the moon. Spanning three decades and several continents, To the Moon and Back encompasses Steph’s turbulent journey, along with the multifaceted and intertwined lives of the three women closest to her: her sister Kayla, an artist who goes on to become an Indigenous social media influencer, and whose determination to appear good takes her life to unexpected places; Steph’s college girlfriend Della Owens, who strives to reclaim her identity as an adult after being removed from her Cherokee family through a challenge to the Indian Child Welfare Act; and Hannah, Steph and Kayla’s mother, who has held up her family’s tribal history as a beacon of inspiration to her children, all the while keeping her own past a secret. In Steph’s certainty that only her ambition can save her, she will stretch her bonds with each of these women to the point of breaking, at once betraying their love and generosity, and forcing them to reconsider their own deepest desires in her shadow. Told through an intricately woven tapestry of narrative, To the Moon and Back is an astounding and expansive novel of mothers and daughters, love and sacrifice, alienation and heartbreak, terror and wonder. At its core, it is the story of the extraordinary lengths to which one woman will go to find space for herself.

To the Moon and Back

A moving and deeply engaging novel about a young Native American man as he learns to find strength in his familial identity. . Told in a series of voices, Calling for a Blanket Dance takes us into the life of Ever Geimausaddle through the multigenerational perspectives of his family as they face myriad obstacles. His father’s injury at the hands of corrupt police, his mother's struggle to hold on to her job and care for her husband, the constant resettlement of the family, and the legacy of centuries of injustice all intensify Ever’s bottled-up rage. Meanwhile, all of Ever’s relatives have ideas about who he is and who he should be. His Cherokee grandmother urges the family to move across Oklahoma to find security; his grandfather hopes to reunite him with his heritage through traditional gourd dances; his Kiowa cousin reminds him that he’s connected to an ancestral past. And once an adult, Ever must take the strength given to him by his relatives to save not only himself but also the next generation of family.. How will this young man visualize a place for himself when the world hasn’t given him a place to start with? Honest, heartbreaking, and ultimately uplifting, Calling for a Blanket Dance is the story of how Ever Geimausaddle found his way to home.

Calling for a Blanket Dance

A haunting, unforgettable novel of obsession, pride, and forgiveness, exploring the friendship and rivalry between two gifted boys in harrowing circumstances, from the acclaimed writer of The RemovedMilton Muleborn has envied Matthew Echota, a talented Cherokee artist, ever since they were locked up together in a dangerous juvenile detention center in the late 1980s. Until Matthew escaped, that is.A novel within a novel, we read here Milton’s dark, sometimes comic, and possibly unreliable account of the story of their childhood even as, years later, he remains jealous of Matthew’s extraordinary abilities and unlikely success. Milton reveals secrets about their friendship, their families, and their nightmarish, surreal, experience of imprisonment. In revisiting the past, he explores the echoing traumas of incarceration and pride.Filled with Brandon Hobson’s swirling yet visceral writing, and punctuated with original artwork, The Devil Is a Southpaw is an ambitious, elegant, and propulsive novel in the spirit of Vladimir Nabokov and Gabriel García Márquez.

The Devil Is a Southpaw

In his first YA novel, award-winning author Brian Lee Young (Diné) bridges the generational divide between a Navajo teen at an elite prep school and his great-grandmother’s experience at a federal boarding school for Indigenous students. The book is an eye-opening call for community healing and a profound coming-of-age story. Even if it hurts to leave behind his friends and family in Navajo, New Mexico—especially his great-grandmother, Mildred—Derrick knows his scholarship to an elite East Coast boarding school is a once-in-a-lifetime opportunity.Sagefield Academy is totally different from life on the rez: His new classmates vacation in Europe and take study drugs. Derrick wants to stick to caffeine, but handling sports, school, and a twenty-page term paper, all while dodging comments about his hair and heritage, feels straight-up impossible.Back home, Másání Mildred’s health is fading quickly. On the phone, she begs Derrick to leave Sagefield. When he realizes her fear comes from her time in federal Native boarding schools, he knows he’s finally found the term paper theme he believes in: carrying her voice into the future.Derrick will need to shatter a steadfast generational silence to untangle his great-grandmother’s memories--though her story might change him, and his family, forever.

Shards of Silence

A moving and deeply personal excavation of Indigenous beauty and passion in a suffering world. The novel Jonny Appleseed established Joshua Whitehead as one of the most exciting and important new literary voices on Turtle Island, winning both a Lambda Literary Award and Canada Reads 2021. In Making Love with the Land, his first nonfiction book, Whitehead explores the relationships between body, language, and land through creative essay, memoir, and confession.In prose that is evocative and sensual, unabashedly queer and visceral, raw and autobiographical, Whitehead writes of an Indigenous body in pain, coping with trauma. Deeply rooted within, he reaches across the anguish to create a new form of storytelling he calls “biostory”—beyond genre, and entirely sovereign. Through this narrative perspective, Making Love with the Land recasts mental health struggles and our complex emotional landscapes from a nefarious parasite on his (and our) well-being to kin, even a relation, no matter what difficulties they present to us. Whitehead ruminates on loss and pain without shame or ridicule but rather highlights waypoints for personal transformation. Written in the aftermath of heartbreak, before and during the pandemic, Making Love with the Land illuminates this present moment in which both Indigenous and non-Indigenous people are rediscovering old ways and creating new ones about connection with and responsibility toward each other and the land.Intellectually audacious and emotionally compelling, Whitehead shares his devotion to the world in which we live and brilliantly—even joyfully—maps his experience on the land that has shaped stories, histories, and bodies from time immemorial.

Making Love with the Land: Essays

When a young girl goes missing, the ghosts of the past collide with her family’s secrets in a mesmerizing Native American Southern GothicWhen six-year-old Laurel Taylor vanishes without a trace, her family is left shattered, struggling to navigate the darkness of grief and unanswered questions. As their search turns to despair, Laurel’s older sister, Nadine, begins experiencing nightmares that blur the line between dream and reality, and she becomes convinced that Laurel’s disappearance could be connected to other family tragedies. Guided by her elders, Nadine sets out to uncover whether laying the ghosts to rest is the key to finding her sister and healing her fractured family.Carson Faust captivates in this chilling literary debut that confronts the specter of colonization and the generational scars it leaves on Native American families. Steeped in Indigenous folklore and drawing from the author’s own family history, If the Dead Belong Here examines what it means to be haunted—both by the supernatural and by terrors of our own making. Faust crafts a powerful, kaleidoscopic tale about the complicated legacies of violence that shape our present, the importance of honoring our past, and the resilience of a family—and a people—determined to heal from old wounds.

If the Dead Belong Here

Under the shadow of gray clouds, three children venture into the woods, where they spot the corpse of an old man on a scaffold. Suddenly a wild figure emerges, with long fingernails and tangled hair. It is the Hattak fullih nipi foni, the bone picker, who comes to tear off rotting flesh with his fingernails. Only the Choctaws who adhere to the old ways will speak of him.. The frightening bone picker is just one of many entities, scary and mysterious, who lurk behind every page of this spine-tingling collection of Native fiction, written by award-winning Choctaw author Devon A. Mihesuah. Choctaw lore features a large pantheon of deities. These beings created the first people, taught them how to hunt, and warned them of impending danger. Their stories are not meant simply to entertain: each entity has a purpose in its behavior and a lesson to share—to those who take heed.. As a Choctaw citizen, with deep ties to Indian Territory and Oklahoma, Mihesuah grew up hearing the stories of her ancestors. In the tradition of Native storytelling, she spins tales that move back and forth fluidly across time. The ancient beings, we discover, followed the tribe from their original homelands in Mississippi and are now ever-present influences on tribal consciousness.. While some of the horrors told here are “real life” in nature, the art of fiction that Mihesuah employs reveals surprising outcomes or alternative histories. It turns out the things that scare us the most can lead to the answers we are seeking and even ensure our very survival.

The Bone Picker

In this spellbinding fantasy debut set in a future where language magic reigns, a young Hawaiian woman must solve a murder to clear her name.Kea Petrova is dealing with more than her fair share of trouble. At just twenty-five years old, she’s the youngest of five Hawaiian clan leaders living on the Homestead in outer Los Angeles. Nearly 200 years ago, when a catastrophic flood submerged the Hawaiian islands and unleashed magic into the world, these clans forged a treaty with the city, establishing a new Hawaiian homeland. But that treaty is about to expire. Kea struggles to keep her small clan afloat, scraping together rent each month through odd jobs and selling her own crafted Hawaiian language spells. While her talent for language magic is her saving grace, she feels like a shadow of those who came before her. Just when she thinks things can’t get any more complicated, the murder of Angelo Reyes—LA’s most prominent Filipino activist—turns her world upside-down. Angelo was killed by a death spell—something that, due to the properties of each school of language magic, can only exist in Hawaiian. With independent spellsmithing being technically illegal, Kea quickly becomes the prime suspect, known for her spellwork on the Homestead. To clear her name, she must unravel the mystery behind Angelo’s murder and confront LA’s most powerful (and dangerous) players, each wielding their own type of magic. The clock is ticking—can Kea save herself, her clan, and the Homestead before it’s too late?

The Killing Spell

WINNER OF THE 2021 PULITZER PRIZE FOR FICTIONNEW YORK TIMES BESTSELLERWASHINGTON POST, NPR, CBS SUNDAY MORNING, KIRKUS, CHICAGO PUBLIC LIBRARY, AND GOOD HOUSEKEEPING BEST BOOK OF THE YEARBased on the extraordinary life of National Book Award-winning author Louise Erdrich’s grandfather who worked as a night watchman and carried the fight against Native dispossession from rural North Dakota all the way to Washington, D.C., this powerful novel explores themes of love and death with lightness and gravity and unfolds with the elegant prose, sly humor, and depth of feeling of a master craftsman.Thomas Wazhashk is the night watchman at the jewel bearing plant, the first factory located near the Turtle Mountain Reservation in rural North Dakota. He is also a Chippewa Council member who is trying to understand the consequences of a new “emancipation” bill on its way to the floor of the United States Congress. It is 1953 and he and the other council members know the bill isn’t about freedom; Congress is fed up with Indians. The bill is a “termination” that threatens the rights of Native Americans to their land and their very identity. How can the government abandon treaties made in good faith with Native Americans “for as long as the grasses shall grow, and the rivers run”?Since graduating high school, Pixie Paranteau has insisted that everyone call her Patrice. Unlike most of the girls on the reservation, Patrice, the class valedictorian, has no desire to wear herself down with a husband and kids. She makes jewel bearings at the plant, a job that barely pays her enough to support her mother and brother. Patrice’s shameful alcoholic father returns home sporadically to terrorize his wife and children and bully her for money. But Patrice needs every penny to follow her beloved older sister, Vera, who moved to the big city of Minneapolis. Vera may have disappeared; she hasn’t been in touch in months, and is rumored to have had a baby. Determined to find Vera and her child, Patrice makes a fateful trip to Minnesota that introduces her to unexpected forms of exploitation and violence, and endangers her life.Thomas and Patrice live in this impoverished reservation community along with young Chippewa boxer Wood Mountain and his mother Juggie Blue, her niece and Patrice’s best friend Valentine, and Stack Barnes, the white high school math teacher and boxing coach who is hopelessly in love with Patrice.In the Night Watchman, Louise Erdrich creates a fictional world populated with memorable characters who are forced to grapple with the worst and best impulses of human nature. Illuminating the loves and lives, the desires and ambitions of these characters with compassion, wit, and intelligence, The Night Watchman is a majestic work of fiction from this revered cultural treasure.

The Night Watchman: Pulitzer Prize Winning Fiction

A poetic memoir as intricately woven as a dreamcatcher about overcoming the pain of generational trauma with the power of traditional healing.In her deeply affecting memoir, Soft as Bones, Chyana Marie Sage shares the pain of growing up with her father: a crack dealer who went to prison for molesting her older sister. She details the shame and guilt she carried for years after her family’s trauma as she went from one dysfunctional relationship to another, from one illegal drug to another. In revisiting her family’s history and weaving in the perspectives of her mother and sisters, Chyana examines the legacy of generational abuse, which began with her father’s father, who was forcibly removed from his family by the residential schools and Sixties Scoops programs. Yet hers is also a story of hope, as it was the traditions of her people that saved her life. In candid, incisive, and delicate prose, Chyana braids personal narrative with Cree stories and ceremonies, all as a means of healing one small piece of the mosaic that makes up the dark past of colonialism shared by Indigenous people throughout Turtle Island.

Soft as Bones: A Memoir

"A book that you want to share with everyone you know and one that you are desperate to keep in your own possession. A masterful debut and a new and thrilling voice for readers across the globe." ―Sarah Jessica Parker, on InstagramIt’s 1974 in the Cherokee Nation of Oklahoma and fifteen-year-old Justine grows up in a family of tough, complicated, and loyal women presided over by her mother, Lula, and Granny. After Justine’s father abandoned the family, Lula became a devout member of the Holiness Church – a community that Justine at times finds stifling and terrifying. But Justine does her best as a devoted daughter until an act of violence sends her on a different path forever.Crooked Hallelujah tells the stories of Justine―a mixed-blood Cherokee woman― and her daughter, Reney, as they move from Eastern Oklahoma’s Indian Country in the hopes of starting a new, more stable life in Texas amid the oil bust of the 1980s. However, life in Texas isn’t easy, and Reney feels unmoored from her family in Indian Country. Against the vivid backdrop of the Red River, we see their struggle to survive in a world―of unreliable men and near-Biblical natural forces, like wildfires and tornados―intent on stripping away their connections to one another and their very ideas of home.In lush and empathic prose, Kelli Jo Ford depicts what this family of proud, stubborn, Cherokee women sacrifices for those they love, amid larger forces of history, religion, class, and culture. This is a big-hearted and ambitious novel of the powerful bonds between mothers and daughters by an exquisite and rare new talent.

Crooked Hallelujah

Boozhoo Books

Naomi Darling

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Naomi

Hi, I’m Naomi @fromthemixedupdesk. I am an Indigenous book content creator who is passionate about championing underrepresented voices in literature. Welcome to Boozhoo Books. Boozhoo means “Hello” in Anishinaabemowin.

Boozhoo Books is a publishing imprint dedicated to uplifting diverse voices. We are currently seeking novel length submissions (never previously published) genre fiction written by Indigenous authors highlighting Native/First Nations stories and horror books written by women (BIPOC encouraged to submit!)

Unagented authors can submit by clicking on the LINK button below. (The first clickable button)

I currently run two book clubs:  A Good Day To Read Indigenous and Women in Horror. 

I love talking about all things books, and book adjacent: annotating, book playlists, book journaling, bookshelves, BOOK CATS.

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