Tatiana Schlote-Bonne

What Feeds Below

Viv isn’t known for telling the truth, but she’s not lying about having an evil doppelganger.After spending the summer wracked with guilt about causing the accident that killed her little sister, ambitious gamer and chronic liar Viv returns to Twitch streaming. She never told her parents the truth about the accident, but she hopes that maybe making it big in streaming and giving the money to them is penance enough for her mistakes. The weekend before school starts, Viv finds the perfect horror game to make her Twitch comeback, and during an offline practice run, an NPC asks Viv for a secret. She decides to tell them the truth about her sister’s death since a game could never share her secret―in doing so, she accidentally welcomes a demonic mimic into her life.No one believes Viv when she tells them about her evil doppelganger. Viv has lied to get her best friend’s sympathy and has spread rumors for attention, so why should anyone trust her now? The only person who believes her is Ash, a cute social outcast whom Viv once bullied. In trying to clear her name and kill the mimic, Viv discovers that her lies have hurt people who never deserved it, herself included.

Such Lovely Skin

Midsommar meets The Final Girl Support Group in this horror novel about a woman who survived cult killings as a child and is striving to be "normal," but a spontaneous trip into the woods and the voices in her head keep pulling her to the dark side.So what if Sadie hears talking dead animals and a strange, comforting male voice in her head? The therapist insists these are just symptoms of PTSD. It makes sense considering that she hid under the bed and watched as her best friends were slaughtered.But the murders were seventeen years ago, back when her name was Sabrina. Now, she’s Sadie: a perfectly normal 29-year-old. She works as a physical therapist assistant and lifts weights with her boyfriend, Lucas, who’s the sweetest, most considerate man—as long as he’s not angry. But when Lucas spontaneously agrees to join a couples trip to a cabin in the woods, the visions get worse, a strange figure stalks her during the night, and that male voice in Sadie’s head keeps calling, asking her to do things she’s never fathomed.Sadie’s not sure if it’s her paranoia or something else entirely . . . But she is sure of one thing—this time, she’s not going to sit idly by as everything starts to unravel.

The Mean Ones

“Deftly written, gripping and informative. Empire of Wild is a rip-roaring read!”—Margaret Atwood, From Instagram“Empire of Wild is doing everything I love in a contemporary novel and more. It is tough, funny, beautiful, honest and propulsive—all the while telling a story that needs to be told by a person who needs to be telling it.”—Tommy Orange, author of There ThereA bold and brilliant new indigenous voice in contemporary literature makes her American debut with this kinetic, imaginative, and sensuous fable inspired by the traditional Canadian Métis legend of the Rogarou—a werewolf-like creature that haunts the roads and woods of native people’s communities.Joan has been searching for her missing husband, Victor, for nearly a year—ever since that terrible night they’d had their first serious argument hours before he mysteriously vanished. Her Métis family has lived in their tightly knit rural community for generations, but no one keeps the old ways . . . until they have to. That moment has arrived for Joan.One morning, grieving and severely hungover, Joan hears a shocking sound coming from inside a revival tent in a gritty Walmart parking lot. It is the unmistakable voice of Victor. Drawn inside, she sees him. He has the same face, the same eyes, the same hands, though his hair is much shorter and he's wearing a suit. But he doesn't seem to recognize Joan at all. He insists his name is Eugene Wolff, and that he is a reverend whose mission is to spread the word of Jesus and grow His flock. Yet Joan suspects there is something dark and terrifying within this charismatic preacher who professes to be a man of God . . . something old and very dangerous.Joan turns to Ajean, an elderly foul-mouthed card shark who is one of the few among her community steeped in the traditions of her people and knowledgeable about their ancient enemies. With the help of the old Métis and her peculiar Johnny-Cash-loving, twelve-year-old nephew Zeus, Joan must find a way to uncover the truth and remind Reverend Wolff who he really is . . . if he really is. Her life, and those of everyone she loves, depends upon it.

Empire of Wild: A Novel

A darkly humorous thriller about the ghosts that haunt the temples of excess we call casinos, and the people caught in their high-stakes, low-odds web. For decades, a dark force has terrorized the Languille Lake reservation. Spoken of only in whispers as “the sandman,” he lurks in the Hidden Atlantis Lake Resort and Casino, the reservation’s main attraction and source of revenue, leeching its patrons’ dreams and preventing the ghosts that linger there from moving on. Fleeing a breakup, Marion Lafournier, a midtwenties Ojibwe, seeks solace in the slot machine’s siren song. Here he falls afoul of the sandman, an encounter he barely escapes through the timely intervention of his cousins Alana and Cherie, who both work at the casino and are intimately aware of the sandman’s power. Meanwhile, Glenn Nielan, recently out of the closet and an aspiring documentarian, hopes to capture the faces of the Ojibwe land while experiencing the casino’s thrills. But he will learn that all who choose to play the sandman’s games are in danger of falling into his grasp.. Marion and Alana are members of the Bullhead clan, a family with ties to a sacred past and a fierce determination to ensure their future. Alana, with her sevenfire sight, is the only person to fully understand the danger the sandman poses. Aware of Marion’s occasional ability to navigate the spirit world, she enlists his aid in defeating this wraith. But the power and reach of the sandman go far beyond Alana’s worst fears. Soon she and Marion find themselves in a battle for their lives and for the souls of the reservation’s residents, both the living and the dead.

Passing Through a Prairie Country: A Novel

2023 Canada Reads Longlist SelectionNational BestsellerWinner of the 2019 OLA Forest of Reading Evergreen AwardShortlisted for the 2019 John W. Campbell Memorial AwardShortlisted for the 2019/20 First Nation Communities READ Indigenous Literature Award2020 Burlington Library Selection; 2020 Hamilton Reads One Book One Community Selection; 2020 Region of Waterloo One Book One Community Selection; 2019 Ontario Library Association Ontario Together We Read Program Selection; 2019 Women’s National Book Association’s Great Group Reads; 2019 Amnesty International Book Club PickJanuary 2020 Reddit r/bookclub pick of the month“This slow-burning thriller is also a powerful story of survival and will leave readers breathless.” ― Publishers Weekly“Rice seamlessly injects Anishinaabe language into the dialogue and creates a beautiful rendering of the natural world … This title will appeal to fans of literary science-fiction akin to Cormac McCarthy as well as to readers looking for a fresh voice in indigenous fiction.” ― BooklistA daring post-apocalyptic novel from a powerful rising literary voiceWith winter looming, a small northern Anishinaabe community goes dark. Cut off, people become passive and confused. Panic builds as the food supply dwindles. While the band council and a pocket of community members struggle to maintain order, an unexpected visitor arrives, escaping the crumbling society to the south. Soon after, others follow.The community leadership loses its grip on power as the visitors manipulate the tired and hungry to take control of the reserve. Tensions rise and, as the months pass, so does the death toll due to sickness and despair. Frustrated by the building chaos, a group of young friends and their families turn to the land and Anishinaabe tradition in hopes of helping their community thrive again. Guided through the chaos by an unlikely leader named Evan Whitesky, they endeavor to restore order while grappling with a grave decision.Blending action and allegory, Moon of the Crusted Snow upends our expectations. Out of catastrophe comes resilience. And as one society collapses, another is reborn.

Moon of the Crusted Snow: A Novel

NATIONAL BESTSELLER • A bold, clever, and sublimely sinister collection that dares to ask the question: “Are you ready to be un-settled?” . “Never failed to surprise, delight, and shock.” —Nick Cutter, author of The Troop and Little Heaven. Featuring stories by: Norris Black • Amber Blaeser-Wardzala • Phoenix Boudreau • Cherie Dimaline • Carson Faust • Kelli Jo Ford • Kate Hart • Shane Hawk • Brandon Hobson • Darcie Little Badger • Conley Lyons • Nick Medina • Tiffany Morris • Tommy Orange • Mona Susan Power • Marcie R. Rendon • Waubgeshig Rice • Rebecca Roanhorse • Andrea L. Rogers • Morgan Talty • D.H. Trujillo • Theodore C. Van Alst Jr. • Richard Van Camp • David Heska Wanbli Weiden • Royce K. Young Wolf • Mathilda Zeller. Many Indigenous people believe that one should never whistle at night. This belief takes many forms: for instance, Native Hawaiians believe it summons the Hukai’po, the spirits of ancient warriors, and Native Mexicans say it calls Lechuza, a witch that can transform into an owl. But what all these legends hold in common is the certainty that whistling at night can cause evil spirits to appear—and even follow you home.. These wholly original and shiver-inducing tales introduce readers to ghosts, curses, hauntings, monstrous creatures, complex family legacies, desperate deeds, and chilling acts of revenge. Introduced and contextualized by bestselling author Stephen Graham Jones, these stories are a celebration of Indigenous peoples’ survival and imagination, and a glorious reveling in all the things an ill-advised whistle might summon.

Never Whistle at Night: An Indigenous Dark Fiction Anthology

In this gripping, horror-laced debut, a young Cree woman’s dreams lead her on a perilous journey of self-discovery that ultimately forces her to confront the toll of a legacy of violence on her family, her community and the land they call home.. "A mystery and a horror story about grief, but one with defiant hope in its beating heart." —Paul Tremblay, author of A Head Full of Ghosts and The Pallbearers Club. When Mackenzie wakes up with a severed crow's head in her hands, she panics. Only moments earlier she had been fending off masses of birds in a snow-covered forest. In bed, when she blinks, the head disappears. . Night after night, Mackenzie’s dreams return her to a memory from before her sister Sabrina’s untimely death: a weekend at the family’s lakefront campsite, long obscured by a fog of guilt. But when the waking world starts closing in, too—a murder of crows stalks her every move around the city, she wakes up from a dream of drowning throwing up water, and gets threatening text messages from someone claiming to be Sabrina—Mackenzie knows this is more than she can handle alone.. Traveling north to her rural hometown in Alberta, she finds her family still steeped in the same grief that she ran away to Vancouver to escape. They welcome her back, but their shaky reunion only seems to intensify her dreams—and make them more dangerous.. What really happened that night at the lake, and what did it have to do with Sabrina’s death? Only a bad Cree would put their family at risk, but what if whatever has been calling Mackenzie home was already inside?

Bad Cree: A Novel

When a young girl goes missing, the ghosts of the past collide with her family’s secrets in a mesmerizing Native American Southern GothicWhen six-year-old Laurel Taylor vanishes without a trace, her family is left shattered, struggling to navigate the darkness of grief and unanswered questions. As their search turns to despair, Laurel’s older sister, Nadine, begins experiencing nightmares that blur the line between dream and reality, and she becomes convinced that Laurel’s disappearance could be connected to other family tragedies. Guided by her elders, Nadine sets out to uncover whether laying the ghosts to rest is the key to finding her sister and healing her fractured family.Carson Faust captivates in this chilling literary debut that confronts the specter of colonization and the generational scars it leaves on Native American families. Steeped in Indigenous folklore and drawing from the author’s own family history, If the Dead Belong Here examines what it means to be haunted—both by the supernatural and by terrors of our own making. Faust crafts a powerful, kaleidoscopic tale about the complicated legacies of violence that shape our present, the importance of honoring our past, and the resilience of a family—and a people—determined to heal from old wounds.

If the Dead Belong Here

Contributions by Katrin Althans, Jayson Althofer, Naomi Simone Borwein, Persephone Braham, Krista Collier-Jarvis, Shane Hawk, Jade Jenkinson, June Scudeler, and Sabrina Zacharias. Global Indigenous Horror is a collection of essays that positions Indigenous Horror as more than just a genre, but as a narrative space where the spectral and social converge, where the uncanny becomes a critique, and the monstrous mirrors the human. While contentions swirl around the genre category, this exploratory anthology is the first critical edited collection dedicated solely to ways of theorizing and analyzing Indigenous Horror literature. The essays, curated by scholar Naomi Simone Borwein, ask readers to consider what Global Indigenous Horror is―and to whom.. The volume opens with a preface by international bestselling horror writer Shane Hawk (enrolled Cheyenne-Arapaho, Hidatsa, and Potawatomi descent), followed by an overview of Global Indigenous Horror trends, aesthetics, and approaches. The carefully selected contributions explore Indigenous Horror literature and mixed-media narratives worldwide, unraveling the intricate dynamics between the local and global, traditional and contemporary, and human and monstrous. Contributor chapters are grouped not by geographical or cultural variation, but along a spectrum, from a strong emphasis on ways of knowing to a critical inspection of Horror through Indigenous Gothic aesthetics across cultural boundaries and against and beyond nation states.

Global Indigenous Horror (Horror and Monstrosity Studies Series)

Under the shadow of gray clouds, three children venture into the woods, where they spot the corpse of an old man on a scaffold. Suddenly a wild figure emerges, with long fingernails and tangled hair. It is the Hattak fullih nipi foni, the bone picker, who comes to tear off rotting flesh with his fingernails. Only the Choctaws who adhere to the old ways will speak of him.. The frightening bone picker is just one of many entities, scary and mysterious, who lurk behind every page of this spine-tingling collection of Native fiction, written by award-winning Choctaw author Devon A. Mihesuah. Choctaw lore features a large pantheon of deities. These beings created the first people, taught them how to hunt, and warned them of impending danger. Their stories are not meant simply to entertain: each entity has a purpose in its behavior and a lesson to share—to those who take heed.. As a Choctaw citizen, with deep ties to Indian Territory and Oklahoma, Mihesuah grew up hearing the stories of her ancestors. In the tradition of Native storytelling, she spins tales that move back and forth fluidly across time. The ancient beings, we discover, followed the tribe from their original homelands in Mississippi and are now ever-present influences on tribal consciousness.. While some of the horrors told here are “real life” in nature, the art of fiction that Mihesuah employs reveals surprising outcomes or alternative histories. It turns out the things that scare us the most can lead to the answers we are seeking and even ensure our very survival.

The Bone Picker

Uncover the Terrifying Intersection of History and Horror. Imagine a chilling horror collection that weaves classic monsters like werewolves and vampires with the true horrors of colonialism, domestic violence, and displacement. Man Made Monsters, by acclaimed Cherokee writer Andrea Rogers, delivers. Follow a Cherokee family across centuries, from their ancestral lands in 1830s Georgia to the battlefields of World War I and Vietnam, and beyond. Each story offers a chilling glimpse into a different era, revealing how history's monsters intertwine with the supernatural.. Man Made Monsters is a powerful exploration of identity and the enduring legacy of colonization. Rogers masterfully blends Cherokee legends with chilling horror, creating unforgettable characters and monsters.. Each story is accompanied by haunting illustrations from Cherokee artist Jeff Edwards, incorporating the Cherokee syllabary for a truly immersive experience.. Don't miss out on this masterpiece! Man Made Monsters will stay with you long after the last page.. P R A I S E. ★ “These stories sound as if they were passed down as family histories. It may read like speculative fiction, but it feels like the truth.” —Horn Book (starred) ★ “Stunning...follows a Cherokee family through two centuries, beginning with something akin to a vampire attack and ending with zombies.” —BCCB (starred) ★ “Spine-tingling...A simultaneously frightening and enthralling read.” —Publishers Weekly (starred) ★ “Chilling… Exquisite… A creepy and artful exploration of a haunting heritage.” —Kirkus (starred) ★ “Startling…Will leave readers—adults as well as teens—unsettled, feeling like they have caught a glimpse into a larger world.” —Booklist (starred). A W A R D S. Walter Dean Myers Award Winner. American Indian Library Association Youth Literature Honor. International Literacy Association Award Winner. Whippoorwill Award Winner. Reading The West Book Awards Shortlist. Nea Read Across America Recommended Title. B E S T · O F · T H E · Y E A R Washington Post · Booklist · Publishers Weekly · Horn Book · New York Public Library

Man Made Monsters

Boozhoo Books

Naomi Darling

During this phase, we're reviewing manuscripts and deciding which book we want to publish. At the end of this phase, we offer an author a book deal.

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Naomi

Hi, I’m Naomi @fromthemixedupdesk. I am an Indigenous book content creator who is passionate about championing underrepresented voices in literature. Welcome to Boozhoo Books. Boozhoo means “Hello” in Anishinaabemowin.

Boozhoo Books is a publishing imprint dedicated to uplifting diverse voices. We are currently seeking novel length submissions (never previously published) genre fiction written by Indigenous authors highlighting Native/First Nations stories and horror books written by women (BIPOC encouraged to submit!)

Unagented authors can submit by clicking on the LINK button below. (The first clickable button)

I currently run two book clubs:  A Good Day To Read Indigenous and Women in Horror. 

I love talking about all things books, and book adjacent: annotating, book playlists, book journaling, bookshelves, BOOK CATS.

 I believe that together we have the opportunity to build and create something great here. Please join us on this journey. 